Kate works with paper, cutting intricate designs by hand to create delicate, complex layers. There are 2 quite different strands to her work which use this technique to create distinct visual outcomes.
The geological series explores pattern and colour in the landscape and natural world on a macro and micro level. Satellite imagery reveals beautiful colours and pattern in the landscape, both natural and man-made, and micro images of plants and natural objects often reveal surprisingly similar structures. Kate is especially interested in marks on the landscape created by natural forces such as flowing water, or scars created by human activities such as mining and farming; the shaping of our landscape over time.
The architectural series explores structure and light, focusing on traditional architecture as well as contemporary structures. By exploiting the qualities of cut and layered paper, the fall of light becomes central to the work and helps define the image.
Kate studied fine art at Camberwell College of Arts in London followed by a PGCE in Art and Design. She is a member of the Oxfordshire Art Society.
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Across Christchurch Meadow
Kate Hipkiss
£450.00
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Bliss Mill in the Snow
Kate Hipkiss
£475.00
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Brightwell Barrow
Kate Hipkiss
£450.00
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East Banqueting House, Chipping Campden
Kate Hipkiss
£450.00
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Eilean Donan Castle
Kate Hipkiss
£625.00
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Empty Café Terrace
Kate Hipkiss
£475.00
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Fissures
Kate Hipkiss
£250.00
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Flow towards the Sea, Otter Estuary, South Devon
Kate Hipkiss
£450.00
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Grazing on Port Meadow
Kate Hipkiss
£475.00
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Half Blue Moon
Kate Hipkiss
£1,500.00
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Ice Flow
Kate Hipkiss
£250.00
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Kaufmann Desert House, California
Kate Hipkiss
£425.00
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Lake Louise, Banff, Canada
Kate Hipkiss
£475.00
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Langdale Valley
Kate Hipkiss
£475.00
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London Duo (sold)
Kate Hipkiss
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London Trio
Kate Hipkiss
£475.00
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Moonlight over Dreaming Spires
Kate Hipkiss
£375.00
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Moorland Cottage, Dartmoor
Kate Hipkiss
£450.00
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National Theatre, South Bank
Kate Hipkiss
£395.00
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Night Closing
Kate Hipkiss
£525.00
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No Splash
Kate Hipkiss
£295.00
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Onwards
Kate Hipkiss
£215.00
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Prospect Cottage (sold)
Kate Hipkiss
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Reflecting
Kate Hipkiss
£215.00
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Springtime, Ploughed Field
Kate Hipkiss
£450.00
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St. Giles in Winter (sold)
Kate Hipkiss
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Stag, Broadway Tower
Kate Hipkiss
£450.00
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Stonehenge (sold)
Kate Hipkiss
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Sunday Shadows
Kate Hipkiss
£475.00
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Towards the White Horse
Kate Hipkiss
£425.00
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Oxford Botanic Gardens and Magdalen Tower
Kate Hipkiss
£875.00
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Radcliffe Camera
Kate Hipkiss
£295.00
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St. Paul’s and the Gherkin
Kate Hipkiss
£150.00
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The Moon
Kate Hipkiss
£725.00
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Into the Woods
Kate Hipkiss
£395.00
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Temple Island (sold)
Kate Hipkiss
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The Gherkin
Kate Hipkiss
£295.00
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Waxing and Waning
Kate Hipkiss
£750.00
Scottish- born painter Catriona Herd splits her time between New York and the UK.
Catriona has staged successful solo exhibitions in Manhattan, Brooklyn, Edinburgh, Frankfurt and Woodstock, Oxfordshire.
Catriona travels throughout the UK and all over mainland Europe making plein air sketches in pastel and watercolour.
She is inspired by light, atmosphere and structure in the landscape and especially by colour. A misty, rainy day might seem neutral in colour but Catriona says she will see ‘blues, greens, ochres and purples…… a complex pattern of colour.’ Hence the need for extensive plein air sketches.
Her process back in the studio involves more studies in pastel and oil paint, trying to capture the rhythm and composition, before beginning a large oil painting.
Catriona gained a post graduate qualification at Duncan of Jordanstone College of Art. More recently she attended the Art Student’s League in New York, where she won a scholarship to Anderson Ranch Arts Center in Colorado and a six week scholarship to study and paint at the Marchutz School in Aix-en -Provence.
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Autumn Walk, Glen Rosa, Arran (sold)
Catriona Herd
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Borrowdale Pinks, Lake District
Catriona Herd
£1,600.00
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Cool of Evening, Skiddaw
Catriona Herd
£1,175.00
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Down to Arncliffe, Dales
Catriona Herd
£450.00
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Early Mist on Road to Peebles
Catriona Herd
£1,400.00
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Evening Falls, Arncliffe, Dales (sold)
Catriona Herd
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Goat Fell, Arran
Catriona Herd
£975.00
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Hot Day in Oban
Catriona Herd
£1,450.00
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Late Summer Skiddaw
Catriona Herd
£1,175.00
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Portobello Drama
Catriona Herd
£1,775.00
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Skiddaw in Winter
Catriona Herd
£450.00
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Skiddaw Over Derwent Water
Catriona Herd
£450.00
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Sleeping Boats, Howth, Dublin
Catriona Herd
£575.00
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Snow on Skiddaw, Lake District
Catriona Herd
£1,175.00
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Strawberry Moon over Jura
Catriona Herd
£475.00
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Summer Heat, Oban
Catriona Herd
£575.00
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Summer Morning, Oban
Catriona Herd
£1,450.00
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Summer Waterfall, Skye (sold)
Catriona Herd
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Sundown, Norfolk
Catriona Herd
£475.00
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White Boats, Norfolk
Catriona Herd
£1,775.00
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Winter Sunset in the Woods
Catriona Herd
£975.00
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Approaching Storm, Yorkshire Dales
Catriona Herd
£1,500.00
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Summer Walk, Brancaster
Catriona Herd
£575.00
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Dusk near Brancaster, Norfolk
Catriona Herd
£350.00
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Late Summer Sun, Pen-y-ghent (sold)
Catriona Herd
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Looking South by Derwent Water (sold)
Catriona Herd
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Quiet Summer Evening, Norfolk
Catriona Herd
£375.00
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Skiddaw in Winter, lake District
Catriona Herd
£350.00
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Sunset near Brancaster Straithe, Norfolk
Catriona Herd
£575.00
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Walls of the Yorkshire Dales
Catriona Herd
£1,500.00
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West of Derwent Water
Catriona Herd
£350.00
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Behind Brodick (sold)
Catriona Herd
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Connel Sunset, Argyll (sold)
Catriona Herd
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From Borrowdale towards Keswick
Catriona Herd
£400.00
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From Castlerigg, Keswick (Sold)
Catriona Herd
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Holy Isle at Twilight, from Lamlash, Arran
Catriona Herd
£1,400.00
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Leaving Keswick
Catriona Herd
£350.00
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Misty Blues Derwent Water (sold)
Catriona Herd
£300.00
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Scottish Borders Greens
Catriona Herd
£1,400.00
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Strawberry Moon over Jura (sold)
Catriona Herd
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Sunset Drama, Portobello, Edinburgh (sold)
Catriona Herd
Making ceramics is something I wanted to do for a very long time. I finally began a few years ago, when I spent 3 years at City of Oxford College on a one-day a week course. I soon discovered that I needed more time for making, and set up my own garden studio at home, where I have been working for a few years.
I throw and turn my vessels on the wheel, using either pure porcelain or porcelain mixed with some stoneware. My bowls and vases are made to be used or simply looked at. The forms I throw are mostly inspired by the classic shapes of oriental ceramics, though who could add to the perfection of a Song bowl? I make work in series of similar forms, but unconstrained by a rigid specification, enjoying the subtle variations between pieces. I relish exploring glaze colours and textures, and trying to find a variety of surfaces that complement the simplicity of the forms.
I enjoy the way pots look when grouped together, the shapes and shadows between the forms, and the relationship between the colours and textures of the glazes. My ceramics can be enjoyed as single pieces, but they seem also to complement each other when combined in small groups. I also enjoy how a good pot feels when weighed in the hand, that sense of balance that tells you when it’s right.
Beatrice Hoffman grew up in Germany and studied sculpture at the Norwich School of Art from 1986-9. She is based near Oxford and works mostly in solid and coiled clay, creating sculptures both figurative and abstract to be cast in bronze ( resin), varying in height between 25 and 230 cm. With her sculptures, Beatrice wants to achieve a certain degree of simplicity and abstraction. Some of her ideas for sculptures derive from her other career as an arts educator and therapist, which makes her very aware of the psychological and expressive potential of sculptures. Beside sculptures for the domestic and garden environment, she has been working in polystyrene and plaster on a larger scale (2013-14 as part of an artist-in-residency at the Chenderit School), suitable for either garden or a a more public setting.
John is at heart an observational painter who likes to work on location whenever possible in order to experience and react to his surroundings directly. Much of his work, in oil or watercolour, is started en plein air and completed in the studio with the aid of photographs and sketches. His drawing skills, honed in his former work in graphic art and design, enable him to tackle often complicated subjects with confidence that evocative and expressive brushwork is underpinned by sound construction.
John divides his time between producing new work, painting to commission, teaching, demonstrating, and writing articles on technique, several of which have been published in The Artist magazine. He has staged many one-man shows and has contributed work to The Pure Watercolour Society at Windrush and The Sunday Times Watercolour exhibition in the Mall Galleries.
My paintings are born from an emotional response to places I visit and views that I witness in my day to day life. Outwardly, they relate to different light and colour in the landscape. I then relate these to inward feelings and memories and things which are currently going on in my life. Sometimes the history of a place and a feeling about a place will have an effect on my paintings. All of them are about beauty in the landscape and moments where this beauty affects us. This in turn correlates with specific events and happenings in my life.
My art is a response to nature; landscape, weather, movement and light. Looking at plants, water or a wider scene, mark making and multiple layering, the dominant theme is the universal struggle for adaptation and survival. Ecological interactions, personal emotions and the physical processes of expressive drawing and painting conjure up intriguing parallels with the complexities and challenges of life.
Sophie Louise White is best known for her contemporary wildlife sculptures and she is renowned for capturing the intrinsic essence of her subject. Irrespective of size, she sculpts with a harmonious balance of movement, elegance and motional poise.
With an astute eye for animal anatomy and forms that function, Sophie manipulates her materials to create an elegant, aesthetically balanced signature style.
Growing up on her family’s rare breeds farm, situated in Kent, Sophie was privileged to observe the beauty of the animal form first hand. This instinctive and insightful study has given her an enviable knowledge and awareness of each subject’s individual characteristics and distinguishing forms.
Now residing in Hampshire, her rural environment is enriched with the wildlife that continues to influence her work. She portrays the unique characteristics of the fauna that she sculpts in clay, soft wax and occasionally in plaster. Each composition is then cast in either Bronze or Silver using the Ancient Lost Wax method.
Sophie Louise White gained a First Class Honours degree in Figurative Sculpture from London’s University of the Arts before gaining a residency at a renowned Hampshire Bronze Foundry. This residency gave Sophie a valuable knowledge of the foundry process, and an ability to manipulate her materials with confident translation from subject to sculpture.
Often choosing to colour her work herself, Sophie finishes each piece with rich and varied patinas, consciously chosen to compliment subject and surface.
Her unique translation and elegant interpretation of her subject has brought Sophie Louise White recognition, which sees her catalogue of work and individual commissions sought internationally.